Daria Sharenkova in front of her paintings “Punks” and “Hanbok” at the exhibition

2025 · diploma series, Surikov Institute

In 2024 I visited South Korea, where I stayed in its two largest cities — the capital, Seoul, and the coastal Busan — and stopped in Beijing on the way back.

The street life of these places became the basis of my series.

Exhibitions

  • 2026All-Russian Decade of Creative University GraduatesSergey Andriaka Academy of Watercolour and Fine Arts, Moscow
  • 2025“Graduation ’25”Zaryadye Park, Moscow

A Seoul flea market under pink umbrellas: punks with mohawks, a vendor in a mask and white cap, a motley crowd

Seoul is an enormous city where tradition sits next to urban chaos, where the streets pulse with life and the neon signs of cafés and restaurants create the feeling of an endless evening.

It was there that I first found myself at a giant flea market that takes up an entire block.

Oil on canvas105 × 160 cmSeoul, 2025

Young women in traditional Korean hanbok walking past a modern building, a mannequin in a pink jeogori in the foreground

I was struck by how full of contrast everyday life in Korea is: against the backdrop of modern buildings you see young women in traditional hanbok walking calmly down the street.

That visual rift between the past and the present became the leitmotif of my cycle.

Oil on canvas105 × 160 cmSeoul, 2025

A street eatery in the Gongpyeong-dong quarter of Seoul under a red awning, customers at the counter, passers-by on the pavement

Gongpyeong-dong is an old quarter right in the centre of Seoul, hemmed in on every side by office towers.

In the evening small eateries open under the red awnings. People come in to eat standing, still in their work clothes. I liked that this ordinary, unhurried life has stayed on in the middle of the business district.

Oil on canvas105 × 160 cmSeoul, 2025
Busan fish market: dried fish hanging on hooks, a vendor in a yellow apron, blue Korean signage

In Busan I met a completely different sense of a city. It is more homely, more of a port, calmer.

The famous fish market is one of the strongest impressions the city left. Busan astonished me with how authentic it is.

Oil on canvas105 × 120 cmBusan, 2025
Busan harbour: yellow fishing nets and floats on the quay, a fisherman in a boat, BUSAN lettering on the hull

In the port of Busan the fishing nets are dried right on the quay — stacked in huge yellow circles, one on top of another.

Next to them the fisherman in his boat looks tiny. It is everyday harbour work, but it looks festive.

Oil on canvas105 × 80 cmBusan, 2025

A cordoned-off festival street in central Beijing, red canopies and lanterns, an elderly woman in a checked coat in the foreground

On the way home from Korea I had a long layover in Beijing, and I managed to catch a glimpse of the city.

That day was a holiday in China and the centre was closed off. People were trying to work out where and how they could get through.

Oil on canvas105 × 170 cmBeijing, 2025

Index

Series